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  Continuing to defy categorisation, John Marsden now reaches a wider audience than any other Australian author. He writes powerful stories which are infused with humanity and humour, and which treat young people as important. His books are devoured in primary schools, secondary schools and universities, and by adults in every walk of life.

  Behind the books is a man who remains open to his readers, who never reads reviews, who has no interest in awards and who determinedly maintains a plain and simple life. In 2006 he became Principal of Candlebark, a small alternative school on what is possibly the biggest campus in the world. It occupies 1100 acres in the Macedon Ranges north of Melbourne.

  Also by John Marsden

  So Much to Tell You

  The Journey

  The Great Gatenby

  Staying Alive in Year 5

  Out of Time

  Letters from the Inside

  Take My Word for It

  Looking for Trouble

  Tomorrow. . . (Ed.)

  Cool School

  Creep Street

  Checkers

  For Weddings and a Funeral (Ed.)

  This I Believe (Ed.)

  Dear Miffy

  Prayer for the 21st Century

  Everything I Know About Writing

  Secret Men’s Business

  The Tomorrow Series 1999 Diary

  The Rabbits

  Norton’s Hut

  Marsden on Marsden

  Winter

  The Head Book

  The Boy You Brought Home

  The Magic Rainforest

  Millie

  A Roomful of Magic

  The Tomorrow series

  Tomorrow, When the War Began

  The Dead of the Night

  The Third Day, the Frost

  Darkness, Be My Friend

  Burning for Revenge

  The Night is for Hunting

  The Other Side of Dawn

  The Ellie Chronicles

  While I Live

  Incurable

  Circle of Flight

  iNCURABLE

  THE ELLIE CHRONICLES

  JOHN MARSDEN

  PAN

  Pan Macmillan Australia

  John Marsden’s website can be visited at:

  www.macmiIlan.com.au/pma/marsden

  or johnmarsden.com

  First published 2005 in Macmillan by Pan Macmillan Australia Pty Limited

  This edition published in 2006 in Pan by Pan Macmillan Australia Pty Limited

  1 Market Street, Sydney

  Copyright © Jomden Pty Ltd 2005

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher.

  National Library of Australia

  cataloguing-in-publication data:

  Marsden, John, 1950-.

  Incurable.

  For young adults.

  ISBN 978 0 330 42252 9.

  ISBN 0 330 42252 9.

  I. Title (Series: Marsden, John, 1950- The Ellie chronicles).

  A823.3

  The characters and events in this book are fictitious and any resemblance

  to real persons, living or dead, is purely coincidental.

  Cover design by Liz Seymour, Seymour Designs

  Cover model: Brianne Tunnicliffe

  Set in 11/13 pt by Post Pre-press Group

  Printed in Australia by McPherson’s Printing Group

  Papers used by Pan Macmillan Australia Pty Ltd are natural, recyclable products made from wood grown in sustainable forests. The manufacturing processes conform to the environmental regulations of the country of origin.

  These electronic editions published in 2010 by Pan Macmillan Australia Pty Ltd

  1 Market Street, Sydney 2000

  The moral right of the author has been asserted.

  All rights reserved. This publication (or any part of it) may not be reproduced or transmitted, copied, stored, distributed or otherwise made available by any person or entity (including Google, Amazon or similar organisations), in any form (electronic, digital, optical, mechanical) or by any means (photocopying, recording, scanning or otherwise) without prior written permission from the publisher.

  Incurable: The Ellie Chronicles

  John Marsden

  Adobe eReader format

  978-1-74197-098-2

  EPub format

  978-1-74262-450-1

  Mobipocket format

  978-1-74197-500-0

  Online format

  978-1-74197-701-1

  Macmillan Digital Australia

  www.macmillandigital.com.au

  Visit www.panmacmillan.com.au to read more about all our books and to buy both print and ebooks online. You will also find features, author interviews and news of any author events.

  To Philip and Faye O’Carroll, and Tim Berryman . . .

  ‘the highest wisdom is kindness’.

  Warm thanks for help in writing Incurable to, in no

  particular order, Sianon Daley, Sam and

  Lou Marsden, Susan Kirk, Warwick Kirk,

  Michelle Mitchell, Ronda Gawley,

  Grant Breadsell, Peter Richardson,

  Tom McCrabb, Annalyce O’Keefe.

  CHAPTER 1

  WHEN THE COCKIES spread their wings and float from one branch to another they hang for a moment, like they’re caught in an eddy of air. Then they choose their landing pad and settle, with a squawk and a shrug of their shoulders. They go for a strut along the branch, their yellow crests flaring. If they had hands they’d beat their chests. They’re pretty smug. You can chase them off a fruit tree or a barley crop or the back of a wheat truck but you never defeat them: they’re the birds of defiance.

  Against an overcast sky it’s shocking to see how white they are. They’re the whitest things in the world, not that there’s ever been a World Cup for whiteness. Not as far as I know.

  We were moving a mob of cattle along a dirt road in the bush, over the ford where the winter water flows, through the gum trees, underneath the cockatoos screeching the neighbourhood news.

  It was a big mob, three hundred head, cows and steers, and there were some big beasts among them. But they were in no hurry. I had plenty of time to look up at the cockies.

  On the left was Mr Farrar’s place, where his fat black cattle grazed. I dribbled with love and envy every time I saw his main paddock. It was protected by lines of old manna gums, had a bit of a hill in the far corner, and the creek was its western boundary. I’ve never seen that creek dry up and I’ve never seen that paddock bare. The grass grew like it was showing off. You could run a hundred head in that paddock and not need to go near them from one year to the next, except to take their photographs for centrefolds in cattle magazines. In the whole district this was my favourite paddock.

  Mr Farrar’s bull waddled to the fence to check out the passing talent. He had a body the size of a furniture van and balls the size of truck tyres. All the sluts in the mob wanted to have a chat. I could imagine the conversation. ‘Nice bit of rump steak on you, sweetheart.’ Well, thank you. You doing anything tonight?’ Why wait till tonight? Just jump this barbed wire and I’m yours.’ ‘Oh yes, the barbed wire. We could have a problem with the barbed wire . . .’

  Then this annoying human comes up on a noisy Suzuki and kicks out at the lady’s attractive ass and yells something like, ‘Come on you old bag of hamburger meat . . .’ and romance dies.

  The annoying human was Alastair Young, helped by me banging my hand on the side of the ute or yelling or, in extreme cases, stopping the ute and getting out to flush a steer from a thicket of young trees and blackberrie
s. The cattle belonged to Alastair’s father, who was in his ute at the front of the mob. Keeping them moving was Alastair’s sister, Shannon, on horseback, and Gavin, the little guy who lives with me. Gavin had our Yamaha. Mr Young had his dogs and I had Marmie, but I kept her in the cab of the ute most of the time.

  The main thing was to stop the stock spreading out over too great a distance, but it wasn’t difficult. They were pretty well-behaved. We’d have to work a bit when we got them to the main road, where there’d be traffic, but no-one used this road much. I could just poke along, sneaking up behind Alastair and bumping his bike with the ute when he was distracted by a noisy cow, chatting to Shannon for a minute when she came back to get a drink, waving to Gavin in the distance.

  Gavin must have been in a good mood. He waved back and gave me a huge smile. Normally if I made any contact with him in public he looked at me like I was a demented stranger suffering from impaired vision. We were all skipping school, and for Gavin that was a good start to any day; besides, he had taken to life on the land like he was born wearing a Drizabone and an Akubra. For him this was better than a trip to Disneyland. Well, OK, maybe not a trip to Disneyland, but it was the kind of stuff he loved to do.

  How strange his life had been already, and how unpredictable. From the little I’d learnt about him, he’d been brought up in a pretty crappy suburb in a pretty crappy family, no dad, just a stepdad who he’d mentioned once and then stopped with an expression like he’d bitten into an unripe olive.

  Then he had survived a war, firstly by living like a rat in the ruins of Stratton, then by getting picked up by my friends and me and taken to a valley in the bush, and if that wasn’t enough, gatecrashing our guerrilla campaign when he refused to catch a rescue helicopter to New Zealand. After the war no trace of his family could be found, so he moved in with me and my parents.

  And just when his life was starting to settle a bit, he and I were hit by an event so awful I couldn’t even think about it that moist winter morning, as we moved the cattle from the Youngs’ place to ours.

  It’s no good though. When you decide you won’t think about something you can think of nothing else. It’s like Tolstoy’s brothers telling him that the secrets of the universe would be revealed if he stood in the corner of the room without thinking of a white horse. As I tried not to think about the death of my parents the mist moistened my face. The cockies suddenly sounded like they were a kilometre away and their squawks became desperate and savage.

  Where does the salt in tears come from? Do we have little salt mines behind our eyes? Does the body somehow extract it from Vegemite and pump it from the mouthful of toast in your tummy, up to the head, storing it for future use? Tasting a tear as it trickled down my cheek I wondered about that. Fi had said to me just the other day, on the phone, ‘You seem to have a fit of sadness suddenly, and after a while it goes and you’re back to normal until the next one.’

  ‘Is that strange? What do other people do?’

  ‘I think they’re probably depressed all the time for a while and then they gradually start to improve again.’

  ‘Oh, OK.’

  ‘What does that mean? Are you offended?’

  ‘Oh no, not at all. I was just thinking about it and wondering if you were right.’

  But privately I thought I had both kinds of sadness.

  I stopped the ute and went back for a cow I hadn’t noticed, a little red scrubber who’d found a yummy patch of herbivorous matter in a dip beside a fence. I swatted at her and she took off with a clumsy stumble of the front legs, lurching up the slope.

  We were using the Youngs’ walkie-talkies and as I got back to the ute Mr Young called me up. It was a relief to hear his voice after the endless swearing of the truckies. No matter what channel you used on the walkie-talkies, you got the endless swearing of the truckies.

  ‘We’re just coming up to the bitumen, Ellie. How are you going back there?’

  ‘The last ones are . . .’ I looked around for a landmark. I’d nearly said, ‘At the ute,’ which wouldn’t have helped much. ‘Near that old windmill on the Farrar place.’

  ‘OK, that’s pretty good. Shannon and Gavin and I’ll hold them here till you bring them up. I don’t like this moisture though. It’ll make the road slippery, and some of these trucks are flying.’

  Alastair and I started to push a bit now, leaving the cockatoos behind. When we caught up with the others Mr Young gave me the signs to put out on the road. They were hand-painted, just two words, Slow Stock, a bit ambiguous I thought but I didn’t think Mr Young would appreciate a lecture about punctuation.

  As well as encouraging semitrailers not to plough into the mob at a hundred k’s an hour, my other job was to shut the gates. Each driveway or paddock got its gate shut, to stop the cattle wandering into places they shouldn’t go. You just hoped people didn’t want to get out of their own driveways while we were going past.

  There was plenty of feed here to keep the mob happy, and a rest would do them good. They’d already come eight kilometres.

  When we started off again the atmosphere was totally different. Now we were out on the Wirrawee-Holloway Road, and we needed to move these beasts along. I went in front, still driving the ute, then came Shannon on her horse and Gavin on the Yamaha, keeping the stock off the road, then Alastair opening the gates again, and finally Mr Young bringing up the rear, driving like me, slow and flashing, hazard lights going with that monotonous, annoying, loud tick-tock that could give you a headache if you listened for long enough.

  I didn’t feel like having a headache though. It was too good a day, even if it was flavoured with sadness.

  Alastair was using his dad’s dogs. As well as opening the gates I’d closed, he and his gaggle of mongrels had the job of picking up any cows that fell back and were at risk of dropping behind the ute. Some of them were tough-looking dogs, so I kept Marmie with me, although it caused her a lot of grief. She made it obvious that I wouldn’t be forgiven, until the next mealtime at least.

  Probably the busiest out of all of us was Alastair, but that’s only a guess, as I was too far ahead to know. I heard the occasional comment on the walkie-talkie though. ‘Get behind her, Alastair.’ ‘She’s trying to get through the fence.’ ‘There’s a couple of cars coming through.’ (That was me.) ‘Mr Nelson coming through in his Landrover.’ (That was Mr Young.) ‘Watch for that big ugly red girl, Alastair.’ ‘They’re all ugly, Dad, hadn’t you noticed?’

  Alastair was shining with pride. Normally his big brother would be doing this job, but Sam was away at Brogan, the Ag College, checking it out for next year.

  ‘Ellie, did you say the cattle-truck gate into the Perreiras’ was open?’

  ‘No. Leave it shut, Alastair.’

  There was a bit of fine mist for a while but not proper rain. The cows drifted along, grabbing at tufts of grass, trying to meander across the road occasionally and being given huge discouragement when they did.

  Gavin rode past me with another grin and a wave then went back to his position, leaving me feeling good. Gavin had been so hot and cold lately, but mostly cold. I thought he’d be literally cold on the motorbike but he didn’t seem too bothered. He looked a bit damp. Thank goodness I hadn’t tried to make him go to school.

  A grey car came towards me. I picked up the walkie-talkie. He was coming too fast and I flashed my high-beams. I realised a moment later who it was. Mr Rodd. Not my favourite person in the world. In fact on this side of the border he probably ranked dead last in my book, a little lower than Mr Sayle, the solicitor, and not much higher than the rats who got in the bathroom the other day and ate the last piece of my mother’s favourite soap.

  Bit by bit, piece of soap by peanut cookie, the memories of my parents were being nibbled away.

  Mr Rodd’s eyes met mine as his Audi got closer, but he immediately looked away again. And he didn’t slow down. I grabbed the walkie-talkie. ‘Mr Rodd’s coming through, way too fast.’ This was dangerous. Rodd wa
s mad enough to smash into a cow deliberately, just to get revenge. Not to mention getting himself a brand-new car from someone else’s insurance company. He probably thought they were my cows. It’s a big problem with farming that you’re responsible for any of your stock that are on the road. You just hope they aren’t hit by a Rolls-Royce, or a busload of millionaires on a tour of the wineries. A couple of years back Mr Yannos had a steer that escaped one night and a car hit it. Mr and Mrs Yannos were the only ones home and they raced down there and luckily the people were OK. But the car was damaged and the steer was dead. While Mrs Yannos waited with the people for a tow truck Mr Yannos snuck home, got a knife, went back down and cut the ears off his dead beast, so no-one could say it was his. I don’t think he’d like me telling that story, but it’s true.

  In my rear-vision mirror I saw the brake lights of the Audi come on, and the car slew a little to the right as Mr Rodd finally decided not to smash into a cow out of sheer bloody-mindedness. I heard the blast of the horn too, then Shannon in my walkie-talkie saying, ‘Jeez, what’s he think he’s doing?’ and Mr Young saying, ‘Honestly, sometimes I wonder about that man.’

  That was extreme for Mr Young.

  The car straightened up again and took off, still pretty fast. I shook my head. What was his problem? Wouldn’t you think we’d all had enough violence to last us half-a-dozen lifetimes?

  CHAPTER 2

  WE DIVIDED THE cattle into three paddocks. The main thing with putting cattle in a new paddock is to take them on a tour of the boundaries and show them the water, and then you can leave them to get on with eating and drinking, sightseeing, relationships and romances. No doubt they’d find the water if you didn’t do it, but it’s meant to settle them in faster. I’ve always done it, so I don’t know what would happen if I skipped it.

  Afterwards Mr Young gave me a cheque for the first four weeks. Oh what a feeling. It was the first income from the farm since my parents died. Twelve thousand dollars. It was a thrill to hold it. Twelve thousand dollars of someone else’s money was approximately eleven thousand eight hundred dollars more than I’d ever had in my hand before. I wanted to frame the cheque and keep it forever but I don’t think that would have been a financially responsible thing to do.